Britain’s Got Talent star Nick Edwards shares stunning EP, ‘Live At Yellow Arch’.

If you’re a massive Britain’s Got Talent fan, you may recognise this guy – NICK EDWARDS.

Since finishing up in the semi-finals in series 15 on the talent show, the dad-of-two has been making leaps and bounds, particularly in the country music scene around the world. His latest EP, ‘Live At Yellow Arch’, may just be the ticket to further cement his place in the country music community.

Recorded at Sheffield’s infamous Yellow Arch Studios, where a string of award-winning albums were produced for the likes of Arctic Monkeys, Kylie Minogue, Jarvis Cocker and Franz Von, ‘Live At Yellow Arch’ forms four captivating live performances, where Nick’s robustly soulful vocals introduces the set through ‘All That You Can Give’, accompanied by guitar licks creating an intimate setting which radiates a tranquil glow.

The EP continues with the comforting glow with a breathtaking cover of War & Treaty’s monster hit, ‘That’s How Love Is Made’. While still maintaining the huskiness that was pleasantly apparent at the beginning of the EP, Nick’s vocals turns all emotive, which compliments the woeful violins and soft soulful bass – all which perfectly gives a new appreciation to the original song.

That warm soulful glow really begins to shine through and concludes the EP perfectly with ‘Troubadour Soul Sinner’ and ‘Trouble’ which, together with the gleeful violin, somehow gives off a Dr Hook & The Medicine Show feel.

Currently, Nick Edwards is creating his debut album – but he wants to make sure it is just right! Until then, his body of work, ‘Live At Yellow Arch’, serves as the perfect filler for his loyal and potential fans. Have a listen below…

Must Listens: That’s How Love Is Made, Trouble

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OUT TODAY: Megzz shares new single, ‘Love Tonight’ – a delightful cocktail of R&B, Afrobeats & Pop

Out today (23rd August), across various music platform, MEGZZ‘s single, ‘Love Tonight’, is an irresistible blend of R&B, Afrobeat and Pop that embodies the feeling of an everlasting summer. Already receiving national radio play on BBC 1Xtra, the not-so-typical love song brings friendship and platonic love to the forefront, in a bid to knock romantic love off its pedestal.

Megzz shares her inspiration behind the single: “I found growing up that popular music tended to focus on finding the one, rather than appreciating/noticing love that is already around you. I think it’s important to remind people love comes in many valuable forms, and so Love Tonight was born”.

Megzz breaks down the track, describing how the warm guitar tones against Afrobeat inspired percussion immediately evoke images of summer. By the time ‘Love Tonight’ leaves the first verse, the layers of interweaving guitar parts open out into a gloriously catchy chorus that is impossible to listen to without moving to the beat.

The production is complemented perfectly by the bright vocals and harmonies, and the lyrics (which are just as bright), remain true to Megzz’s style and are full of meaning. Lyrics such as ‘your love feels like home, got no need to wander’ and ‘I was too scared to fall until you showed me loving’, capture the sentiment of how important meaningful connections and friendships are to our lives, and why this is the perfect feel-good pick me up everyone needs this summer.

In short, ‘Love Tonight’ is more than a song; it’s a call to action to come together, and to love and be loved.

Hailing from Northamptonshire (UK), Megzz’s ‘unapologetically honest’ style of music has garnered an array of supporters, including AMEX Gold who crowned her as one of their Top 6 Unsigned Artists in 2022/2023. Megzz then went on to star as one of the main subjects of the Amazon Prime documentary ‘Unsigned’ that followed the AMEX experience.

The remainder of 2023 saw Megzz gain a number of firsts in her career – including her first award ‘Pop Artist of the Year’ (Local Music Awards), her first Radio 1 play and her first major festival performing at All Points East. Believing music is a powerful therapy to herself and others, Megzz’ lyricism has always focused on transparency around mental health, self-love and empowerment – and she firmly established this in her most recent EP ‘Through The Motions’ released in September 2023.

Megzz’ now shares her first release since her EP – ‘Love Tonight’ – out today (23rd August) across various platforms. Why not have a listen below…

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OUT TODAY: Sonz of Thunder UK returns with track, ‘Money Talk’

For the last few years, Dancehall/Gospel duo SONZ OF THUNDER UK (SOTUK), consisting of brothers Shane and Dean Brown, have adopted the sweet rhythms of the Motherland (Afrobeats), which received a seal of approval from the likes of Capital Xtra, BBC1/1xtra and BBC London. Now the guys return to their Dancehall roots with brand new single, ‘Money Talk’, out 20th August now across various platforms.

Written by Shane and Dean Brown, ‘Money Talk’ sums up a well-known quote: The love of money is the root of all evil.With the glorification of money displayed in today’s world, where many are on a manic chase for the notes – without any consequences – SOTUK’s latest single is a reminder to not place so much faith in the very thing that causes break-ups and envy in relationships. Instead, ‘Money Talk’ encourages to place trust and faith in the Most High. 

Produced by Zabdiel Campbell, ‘Money Talk’ follows the re-release of their 2019 single, ‘Enjoy Life’, named Gospel Song of the Week by Soul Food Gospel Radio. The carefree riddim has also scooped the top spot on UGN Jamz’s Reggae Royalty Chart and AStepFWD UK Christian Chart in the reggae category.

Veterans in the UK gospel reggae scene, SOTUK has been spreading words of inspiration across the UK which earned them a steady following in the gospel and secular communities as well as receiving continuous support by the likes of Capital Xtra’s Ras Kwame, BBC London, Pulse88 Radio, The Beat 1036, Premiere Gospel plus many more. Recipients of TTMP Gospel Awards, SOTUK has been nominated for a Premiere Gospel Music Award. The brothers enjoy more good news; they were recently nominated for GX Awards for Best Reggae Act.

Blessed with performing on the same stages with some of reggae’s great acts such as Papa San, Luciano, Levi Roots and Christopher Martin, SOTUK has been working in Ghana with native producers, including Bizkitbeats and Kbeats, for tracks such as ‘Joy To The World’ and ‘Blessings Pon Blessings’, which possess an Afrobeat flow. Both tracks have demonstrated that the guys can take on many genres while maintaining their Reggae/Dancehall signature sound.

Stay tuned to SOTUK as they are currently working on new music, with fresh and exciting sounds for 2024…Until then, check out their latest single, ‘Money Talk’, out now across all good music platforms.

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OUT TODAY: Dr Adaku gets in touch with her roots in single, ‘Egwu Ukwu (Waist Dance)’ ft. Nigerian legend Flavour

Rising British-Nigerian Afro-fusion singer DR ADAKU has teamed up with countryman and ‘African Royalty’, Flavour (N’abania), for her new single, ‘Egwu Ukwu (Waist Dance).’ The infectious track is a testament to the joy and beauty of the diaspora connecting with and celebrating their roots.

‘Egwu Ukwu (Waist Dance)’ is three minutes of heritage, pride and universal elation – with captivating rhythms sounding throughout. The multifaceted PhD holder and artist, Dr Adaku, is of Igbo-Nigerian descent, as is Flavour. As they glide between English and their native Igbo language, the song is layered with energetic verses and warming harmonies, with cheerful melodies that translate effortlessly to all ears.

Raised in London, Dr Adaku continues to develop her career intentionally experimenting a range of African genres, from her Afrobeats and R&B-infused debut song ‘Jisike’ (2020), to her Amapiano-inspired latest track ‘No Evidence’ (2024). Now, she teams up with Igbo-Nigerian legend Flavour, widely known for decades worth of hits, including ‘Nwa Baby’ (2005), ‘Oyi’ (2012), ‘Game Changer (Dike)’ (2023), and ‘Big Baller’ (2023).

The ‘Egwu Ukwu’ is a traditional dance of the Igbo people, native to southeastern Nigeria, known for elaborate footwork and energetic movements. Performed during celebrations, it exemplifies the cultural heritage and communal spirit of the Igbo people, with dancers moving to the rhythm of traditional music and drumming. The track allows listeners to visualise such festivities, while it symbolises maintaining a close connection to one’s heritage. The sentiment is not limited to just to Nigerians, but to all diaspora children that may struggle with identity nuances and challenges that come with being of dual nationality.

Later this summer, Dr Adaku will be an opening act during Flavour’s concert at the OVO Arena Wembley on August 25. Flavour has toured and performed worldwide, with Dr Adaku set to build on her attention-grabbing performances at Koko Camden and Albert Hall in Manchester, as well as renowned Nigerian venue Eko Hotels & Suite.

Commenting on the new single, Dr Adaku said: “Growing up, my culture has always been important to me, thanks to my parents who surrounded me with the rich traditions of our heritage. ‘Let’s Dance’ is all about prioritising good vibes and celebrating wins in all shapes and sizes. After working with Flavour to write the track and, thanks to Selebobo’s wonderful production, I’m hopeful this song will be a summer anthem – perfect for everyone to get outside and dance! I can’t wait to perform it live at Flavour’s show at the OVO Arena Wembley in August and share such a beautiful piece of our culture with everyone.”

Listen to ‘Egwu Ukwu (Waist Dance)’ below…

Connect with Dr Adaku via:
IG: https://www.instagram.com/dradaku/?hl=en
TikTok: https://x.com/dradaku
YouTube: https://www.youtube.com/channel/UCt7yJ0sKYaw1i-a0hcgPoaw

Arliston’s new single, ‘Vertical’ mountaineers through melancholy

ARLISTON‘s latest offering ‘Vertical’ is a brooding, introspective journey that delves deep into the heart of existential dread. The duo’s signature blend of intimate vocals and expansive soundscapes is in full force here, creating a sonic atmosphere that’s both suffocating and cathartic.

Opening with a delicate piano melody and Jack Ratcliffe’s soulful baritone, the track gradually builds to a crescendo of emotional intensity. It’s a familiar Arliston territory, but ‘Vertical’ feels like a particularly raw and vulnerable exploration of the band’s signature melancholia. The lyrics, both poignant and relatable, capture the paralyzing feeling of being overwhelmed by life’s challenges.

Musically, the track is a masterclass in dynamics. The tension between quiet introspection and soaring choruses is expertly handled, creating a sense of emotional catharsis. The addition of Sam Catchpole’s driving drums and Brett Shaw’s percussive flourishes adds a layer of complexity to the arrangement, without ever overshadowing the song’s core emotional impact.

While Arliston’s influences are clear – The National, Bon Iver, and Damien Rice cast long shadows over their sound – the duo have managed to carve out their own distinctive niche. ‘Vertical’ is a testament to their talent for crafting songs that resonate deeply with listeners, offering a much-needed soundtrack to those moments of doubt and despair.

Whether you’re a longtime fan or new to Arliston, ‘Vertical’ is a must-listen. It’s a song that lingers in the mind long after the final notes fade, leaving you with a sense of both melancholy and hope.

‘Vertical’ was released last Friday (26th July) via various music platforms. Why not have a listen below…

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