Dublin Rapper JYELLOWL Shares Single ‘Jewels’ Taken From His Forthcoming Debut LP

‘Jewels’ – the first single to drop from JYELLOWL‘s [J-yellow-L] forthcoming debut LP. Born to Jamaican and Nigerian parents and raised in Ireland, the Dublin-based rapper has drawn on all three origins to create a distinctly powerful sound that is radically individual.

Speaking on ‘Jewels’, JyellowL explains: “Jewels is a celebration of our multifaceted nature, as well as the complexity of the human condition. It’s about recognising our worth and understanding that we are all inherently valuable and that our value may just manifest itself in different realms.”

The 21-year-old artist is dynamic in his lyricism and is fuelled by political conviction. A leading voice emerging out of the fierce juggernaut that is Ireland’s rap scene, this debut LP follows two groundbreaking EP’s and a string of headline performances, both in Ireland and internationally. His standout track ‘Ozone’ has surpassed 1.5 million views on Spotify alone and the single, ‘Oh Lawd’, featured on the soundtrack of the ‘Normal People’ TV series, has already surpassed 1.1 million views. A self-driven artist and entrepreneur, his newly established JyellowL Records Ltd quickly landed a distribution deal with the international distribution company IDOL.

The lyricism JyellowL delivers cuts to the heart of issues that are at once deeply personal and urgent on a global scale, driving political change right now. With a degree in politics from UCD University in Dublin, he explores the social problems that both intrigue and disturb him, from international conflict to economic inequality, unafraid to tackle subjects like racism in his music early on. In 2020, as protests erupted across the world, he spoke to a crowd of thousands at a Black Lives Matter in Dublin, envisioning a future Ireland that is radically inclusive and anti-racist.

As far back as 2017, his track Cold In The Summer addressed the international crisis of racial injustice and the legacy of slavery, while voicing a defiant demand for change. He released a video with Dublin-based creatives. VICE Magazine profiled him as a leading voice of Irish rap in their 2017 Music Issue,’on the crest of a wave of young artists in Ireland with an increasingly political bent’.

It didn’t take long cutting his teeth in Dublin’s burgeoning rap scene to make his rise. By 2018, JyellowL had released his groundbreaking debut EP Bulletproof and was supporting Rap superstar Nelly on a 3-date Irish tour that November, followed by a sold out Dublin show with ‘Money Trees’ hitmaker Jay Rock.

In 2019, his highly acclaimed Me N Me 2 EP followed, coming out at the same time as he took on a headline Irish tour, his first headline show in London, and performed a headline international sold-out concert at Steck Poppodium in The Netherlands.

Named as one of RTE’s 2FM Rising acts for 2019, he released two singles – the catchy Ozone and hard hitting Tek Time, the latter of which featured on Spotify’s influential Who We Be playlist. Endorsements from Spotify solidified his position as one of Ireland’s most influential young artists, featuring on a plethora of editorial playlists.

JyellowL made his stamp on the Irish festival scene that summer with a series of knockout performances including Longitude, KnockanStockan, Body & Soul, Band On The Strand Festival, Red Bull Gaf Party, and an international headline slot at Delft Jazz Festival in Holland. He ended that summer on a high with a coveted headline slot at the ‘3 Made By Music Stage’ on the Saturday night of a sold-out Electric Picnic, the pinnacle of the Irish festival circuit.

This game-changing performance led to the next and most exciting part of 2019, with JyellowL’s single Ozone selected to feature on the in-game soundtrack for the mammoth EA Sports FIFA 20. The curated playlist placed his track on the same level as hits by Anderson Paak, Major Lazer, Hot Chip and Skepta to name but a few. The success of 2019 peaked with a live performance and broadcast of Ozone on Ireland’s biggest broadcast event of the year, RTÉ’s NYE party.

Stay tuned for future single releases from JyellowL’s forthcoming debut album – 2020 D|vision…but for now, check it ‘Jewels’ below…

 

Ricardo Williams Says ‘Sorry’ In His Latest Afterhours Joint

Fresh off the heels of his come back single, ‘Raindrops’ (which premiered on BBC 1xtra and featured in several Spotify editorial playlists) RICARDO WILLIAMS presents ‘Sorry’.

The new joint is Ricardo’s 2020 style apology letter, admitting wrongs, realising mistakes and trying to make it right. This release yet again shows a different shade to Williams’ musical style, more upbeat and bouncy but still obtaining his R&B swag.

‘Sorry’ is taken from Ricardo’s upcoming EP, ‘Love Tape 2’, due out later this year. Check it out below…

Song of the Day: I Don’t Wanna Wake Up – Marie Dahlstrom (ft. James Vickery)

Danish/London based artist MARIE DAHLSTORM‘s single ‘I Don’t Wanna Wake Up’, featuring South London soul singer James Vickery, is one stunning soulful slow-burner. Pairing soft synth lines with a groove-laden rhythm section, ‘I Don’t Wanna Wake Up’ tells a story of desire.

Speaking on the collaboration, Marie said: “I’ve been a fan of James’ voice for a while. James and I had a session at mine, and this song just came about so naturally, we just started humming melodies over the chord progression and not long into the session we had the line ‘I don’t wanna wake up’. I produced this song myself and I remember leaving the production for a while before actually committing to finishing it and that’s when I got my friend Liam Joseph to jump on some bass and Qmillion to get involved for the mixing.”

Brought up on some of soul and R&B’s greats; recalling the likes of Edwyn Collins, Womack & Womack and Gloria Gaynor being on regular rotation in her family home in Roskilde, Dahlstrom also cites the discoveries of Dwele, Musiq Soulchild, SWV, Dire Straits, Lucy Pearl, Erykah Badu, Kirk Franklin and Fleetwood Mac in her teenage years as key points of inspiration in her musical upbringing.

‘I Don’t Wanna Wake Up’ is taken from the BBC 1Xtra-backed songstress’ debut album, ‘Like Sand’, out now via JFH Records. Smooth out your hump day and wrap your ears around this stunning track below…

J.Kas x Ruell Slams Down Summer-Ready track ‘BonBon’.

Rapper J.KAS calls upon long-time collaborator, upcoming R&B singer Ruell, to offer some much needed distraction away from the chaotic current events with latest single, ‘BonBon’.

Ruell takes the lead in the summer-charged joint, exchanging his smooth afterhours vocals for a melodic/rock steady-esque flow, which melts right into the vibrant fusion of tropical house and Dancehall. BBC Sheffield-approved J.Kas takes over and adds extra fire with his gutsy MC-delivery.

Previously featured on J. Kas’ soulful/R&B jams, ‘Snapchat (Ain’t No Killing My Vibe)’ and ‘Cali Dreaming’, Ruell has branched out and released his debut solo single, ‘Tiffany’, where J.Kas returns the favour and features on the R&B/trap production.

Besides being a seasoned wordsmith, who received firm support from BBC1’s Huw Stephens, BBC 1xtra’s Charlie Sloth and DJ Ace and BBC Sheffield’s Christian Carlisle, J.Kas is the founder of trendy streetwear, Tokyo Red, established in 2015.

Available now on SpotifyiTunesTidalDeezer and Google Play, ‘BonBon’ follow’s J.Kas’ Afrobeat/Dancehall number, ‘Amsterdam’.

Follow J.Kas on: Facebook // Twitter // Instagram
Follow Ruell on: Instagram

EP Review: For The Uninformed – Nicki Knightz

I’ve always known NICKI KNIGHTZ to be that rapper who fiercely take on the boldest of the boldest arrangements with her no nonsense flow, but her latest EP, ‘For The Uninformed’, has caught me off guard. With the exception of the drum bass heavy/Congolese guitar sample, ‘Blacker the Berry,’ which pays homage to her father’s work ethic, the EP shows a soft and perhaps a more vulnerable side to the Hackney native.

The three-track set sees Nicki focusing on the neglected identity issues of being biracial, eliminating any glamorized images of being a light skinned person. In second effort, ‘India Arie’, Nicki gives a vivid account of the problems her parents faced when contending with her hair, over a warped soulful/jazz instrumentation. An old-school soulful drive makes its presence known and runs sombrely throughout concluding track, ‘1964 Howlett Drive’, serving as the perfect backdrop for Nicki’s uncharacteristically emotive delivery, which gives an insight of her experiencing her mother’s culture and its heartbreakingly stark contrast to their life in the innercity area.

A complete 180 to her sonically boisterous 2018 debut EP ‘Hate’, ‘For The Uninformed’ takes on a more minimalist theme, allowing the uninformed to really soak up and resonate with the experience of her childhood.

Have a listen to ‘For The Uninformed’ below…

Must Listen: India Arie