London-born singer-songwriter CHVRLI BLVCK‘s new single ‘Why Did You Go?’ is a poignant and deeply personal account of the aftermath of a breakup. The single blends simple acoustic guitar with layered vocals and retro-inspired synths to create a hauntingly beautiful soundscape, which rises and falls in harmony with the emotional journey it imparts.
Known for his vocal prowess and emotionally raw style, CHVRLI BLVCK reflects his personal struggles with mental health, with an eclectic but immediately recognisable sound, influenced by artists such as Jeff Buckley, The Maccabees, and Fiona Apple.
He began releasing music in mid-2022 and has quickly developed a dedicated online following, with over a quarter of a million streams, positive reviews, podcast interviews, and regular airplay on independent radio stations. He has also entered the live arena with some success performing small shows, and is fast becoming a fixture of the local scene.
‘Why Did You Go?’ was released last Friday (3rd March). Have a listening his stunning single below…
Continuing her pursuit of warm and invigorating aesthetics that see her harness the textured allure of icons like Depeche Mode and Kate Bush, LOUISE BURNS‘ single, ‘I Don’t Feel Like I Used To’ marks another fresh and vibrant step forward for the artist at the helm. As the opening cut for her forthcoming full-length, her latest endeavour sees her channel a warm and tranquil vibe, perfectly elevated by her own captivating vocal performance throughout.
Speaking of the single, she said, “This is the first song I wrote for what became the album. I felt torn between writing something more gothic country like my older catalogue, or trip hop and sample based like the music I was listening to. Naturally it turned into both, which is a testament to the song’s story: an homage to my new found not really worrying about what people think my music, or me, might be, and focusing on what I like and what inspires me. Not feeling “it” like I used to is referring to the full body forward momentum I was feeling of getting over something that wasn’t good for me. Leaving behind your past, both physically and mentally, can be a glorious thing.”
Burns’ fifth full-length album ‘Element’ was primarily co-produced between Burns and Jason Corbett (ACTORS) at his Jacknife Studios in Vancouver, and also features collaborations with Colin Janz (Teset) and vocologist Carol-Lynne Quinn. The nine-strong track album was pieced together over a two-and-a-half-year span between Burns’ home and Mexico.
Of the album as a whole, Burns notes, “Element is a pop album for introverts. A soundtrack to accompany a trip into one’s inner world when the outside one isn’t cutting it.”
Louise Burns’ new single ‘I Don’t Feel Like I Used To’ is out now, followed by the release of her album ‘Element’ scheduled for Spring 2023… For now, why not check out the official video for the single below…
RAY ALEX‘s first single of the year, which features West London poet Jayda David, goes on a powerful journey of growth and departure from pain, touching on the importance of rest, recovery and time. ‘Repose’ is a multi-seasonal R&B number inspired by Q-Tip and contemporary jazz musicians Alfa Mist and Joe-Armon Jones, merging hip-hop with a psychedelic synth slickness and live drum feel.
‘Repose’ unveils how we invariably grow stronger with rest, recovery and restored self-belief after a painful episode in our life. Jayda David exposes themes of identity, appearance and health with powerful, raw lyrics that leave no space for ego or insincerity. Her lyrics: “I kneel to the weaknesses in me, strength has never felt so good, I guess power is birthed in moments of fragility” magnify one’s self-awareness and flaws in order to shed old skin and come back stronger. This universal theme is referenced again by Jayda David with “this soul knows where it’s going, steady growing, I just flow through time“. It serves as a reminder that we should not let others exercise control or influence over us; we should stick to our instinctive driving force and our individuality, feeling free in our own bodies. The lyric “light for hands I deem worthy, heavy for dark souls who yearn to hurt me” is a powerful encapsulation of this.
Prior to their studio session, Ray Alex felt drawn to Jayda David’s honest, poetic portraits of identity and mental health in the performances that she had showcased on her social media. Ray had finished the instrumental for ‘Repose’ six months prior to their studio session and held off as the lead vocalist, as he felt the music would lend itself better to another artist with a different story to tell.
Ray Alex’s previous EP ‘Good To Me’ released in March 2022 received frequent airplay on Soho Radio and Amazing Radio, to name a few, in a list with Little Simz, Children Of Zeus and more. Remixes of his song ‘Erased’ received airplay on KISS and other stations worldwide. Ray Alex has a string of singles scheduled for release in 2023…so look out for that…but for now, listen to ‘Repose’ below…
Released on EMK through Kartel Music Group, LIV EAST’s latest single ‘So Badly’, is a kaleidoscopic concoction of dance, alt pop, R&B and neo soul, which captures the vibrancy and diversity of her East London roots.
‘So Badly’ is Liv’s second solo release, and the first of many works with South London producer Lokes LDN. The track also features some of London’s best jazz musicians – Benedict Quinn on guitar and Callum Connell (Secret Night Gang) on Saxophone.
“So Badly was born out of a time when I knew I had met someone of importance but the timing just wasn’t right”, explains Liv, “I had to remind myself of the mantra ‘nothing real can truly be threatened’ and step back with grace. I felt parallels with many other situations in my life. We had just come out of a pandemic where we were all forced to surrender to redirection and hold our hands up to the universe. No matter how badly we want something, it won’t always (or rarely ever) pan out the way we want it to. So Badly, for me, is about the art of surrender but still keeping faith”.
For singer songwriter Liv East, allowing life to follow its natural flow is vital. It’s about bending and swerving with the punches and trusting the path that you’re on, confident that in the end, everything turns out exactly as it was supposed to.
Liv’s musical career started off in 2019, working alongside Hackney’s grassroots label Root 73 (also home to the Silhouettes project) with a collaborative hip -hop / neo-soul EP. Then later on that year came the soulful dance track ‘You’re My’ on Defected’s well known disco label Glitterbox – a balmy, summer day anthem that’s just soared past an impressive four million streams. Fast forward to the present day, where it continues to receive support from house music Dons such as Moodymann & Jayda G.
And then there’s ‘I Miss Having Someone To Talk To’ (2020), another dollop of buoyant grooves that’s elevated by Liv’s distinctly fluid delivery. Produced with Folamour and released on his FHUO label, the track currently sits at over seven million streams.
Since life has started to open back up again post pandemic, Liv released her first solo track ‘Kitchen’ which landed heavy support from BBC introducing. Followed by another epic dance collaboration ‘I Need You’ with hugely successful producer duo KOLIDESCOPES via Defected’s latest imprint, The Remedy Project.
New York City’s artist CHARLES ON TV gets vulnerable in his groovy, indie-pop/disco single ‘Quarter Century.’ Filled with colourful, impressionistic and soulful instrumentation, the single documents the rising artist’s internal dialogue as a quarter life crisis washes over him in waves.
On the inspiration behind the single, Charles On TV explains, “I’m sure many people can relate to the idea that sometimes, we wish we could go back and do it all over again. For me, I think about how I should have come out earlier, chose my friends more wisely, and maybe even approached my music career differently. I have been stuck in an unhealthy cycle of comparing myself to others; Instead of being encouraged by my achievements, I’ve been feeling discouraged by what I haven’t achieved. This song is the devil and angel on your shoulder, one telling you to give up and one telling you to never stop believing in your dreams.”
The single is accompanied by a stunning official video shot in Los Angeles and directed by Dylan Siegel, where Charles On TV traverse across vast landscapes, alone and on a mission to deepen his understanding of what his future has in store. These remarkable, desolate nature shots almost feel symbolic of a monk’s retreat, as he dances his way through an infinite universe searching for existential answers.
Charles On TV’s fans pour in from all over the city for his one-of-a-kind live performances, taking the stage at iconic NYC venues including the Bowery Electric, Union Pool (where he performed his debut headlining show), and Knitting Factory. An incredibly intuitive, introspective artist, Charles On TV has created a streamline of tunes with the natural ability to cross oceans and decades, and is sure to make a lasting mark on the world of music for years to come. Check out the video for ‘Quarter Century’ below…
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