Paige Bea Melds Spiralling Pop Hooks, Boundary Pushing Instrumentals And Timeless Songwriting On EP ‘Goodbye, Then!’

London-based singer, songwriter and producer PAIGE BEA‘s EP ‘Goodbye, Then!’ – self-released via The Orchard – re-establishes her within the alternative pop landscape after a 2 year hiatus from releasing music. To date, the EP has received wide acclaim and support from BBC R1 (Jack Saunders), Spotify (Fresh Finds UK & IE), COLORS, The Line Of Best Fit, CLASH Magazine, Wonderland, The Rodeo, New Wave Magazine, enfnts terribles, The Pit LDN, Wordplay Mag and more.

Influenced by acts such as FKA Twigs, Tirzah, Caroline Polachek, Jockstrap, James Blake and Sampha – those sonic touch points are evident within Paige’s avant-garde, unpredictable productions as she melds spiralling pop hooks and boundary pushing instrumentals, with timeless songwriting and self-aware lyricism. ‘Goodbye, Then!’ sees the artist uniting with producers Leo Wyatt (aka KINDER) and Jonjo Keefe (Park Hotel).

The six-track EP explores the obsessions and projections that come with all relationships. From lustful beginnings (“4×4”) to shaky middles (‘Autopilot’ and ‘Melt’), bitter ends (‘Stay Still’) to rose-tinted re-imaginings of the past (‘The Quiet Of The Hours’ and ‘Goodbye, Then!’) – the music aims to chart how warped perceptions of romantic relationships directly lead to their downfall. Part catharsis and part warning signal – the songs are an attempt to take back the narrative and add some much needed glamour and thrill to the tricky process of letting go.

“The production, lyrical themes and aesthetics surrounding ‘Goodbye, Then!’ are a slow sharpening of my sense of self,” Paige explains. “It starts dark, murky and jagged and eventually reaches a place of clarity and peace. The maximalist approach to the EP is a significant contrast to how small I was made to feel – and that was important. These songs are about making myself the main character again and I want this EP to make those who listen feel empowered, sexy and resolute in stories of their own heartbreak too.”

‘Goodbye, Then!’ is out now for your inspection…have a peep below…

Must Listens: 4×4, Autopilot, Melt

Song of the Day: Twin Flame – Moniah

Melodic, bold and forthcoming, MONIAH‘s latest single ‘Twin Flame’ pulls the listener into a deep-water experiential love. The song’s dark tone is coupled with her airy and soft vocals as the synth bass will no doubt takes the prospective listener to a vulnerable place.

Written and co-produced by Moniah with Rob Wilks and Oli Middleton, the release of ‘Twin Flame’ follows on from single ‘Spaceman’, which featured on BBC 1Xtra for several weeks. Moniah landed a gig at AllBright’s Mayfair in August 2022, confirmed as the rising star performance of the night. Listen to ‘Twin Flame’

Moniah says of her single:“This song was written in my truest and honest self. It used to be scary being so vulnerable
but it’s getting easier. I hope it resonates with al open hearts.”

Have a listen to ‘Twin Flame’ below…

Song of the Day: Trip – Saint Joshua

Acclaimed musician SAINT JOSHUA completes his trilogy of EP releases with his highly anticipated ‘EP3’. The release of the 4-track opus includes the recently revealed ‘Even If We Don’t’, alongside lead single ‘Trip’ and a carefully crafted selection of 2 other previously unreleased tracks, ‘Love Game’ and ‘Where Did It All Go Wrong’, that entwine together to take us on a journey of self-reflection and emotion surrounding the world of relationships, dating and self.

Stand out record ‘Trip’ takes on an upbeat, feel-good rhythm that breathes hope, acceptance and freedom into the emotional whirlwind of a journey. The track stands for those post break up moments. The moments of navigating love in a fun and free manner when you can finally take control again and you no longer carry the burden of heartache and heartbreak, or in some instances use it to help get over the heartache and heartbreak.

Hotly tipped as ‘one-to-watch’ and gaining a wealth of national and international support, South-Londoner Saint Joshua continues to emerge and astound with the delivery of consistently captivating music. Since the release of ‘EP2’ in May, he has garnered over 2 million streams, 200,000 monthly Spotify listeners, ‘Track Of The Week’ at both BBC Radio 1 and BBC Radio 1Xtra and been selected as a beneficiary for PPL Momentum funding by PRS Foundation. Perhaps such positive reactions have quietly helped to give him the confidence to delve further into the talent and soul that lies within him, as on ‘EP3’ we’re invited to share the most vulnerable and intimate side of Saint Joshua that we’ve seen so far. Unravelling emotion surrounding relationships, and the often-impossible world of dating, Saint Joshua explores a beautiful account of his own struggles and lessons that are extraordinarily poignant and relatable.

Taking inspiration from the likes of Frank Ocean, Solange, and R&B hit-maker D’Angelo, Saint Joshua has formed a cinematic sound that’s made up from a cocktail of genres. Teamed with honest vulnerability, his skilled artistry and stirring penmanship, it is the unique combination of everything he embodies that makes him such a remarkable talent and is seeing Saint Joshua grow at every turn. It is why his music resonates with those it reaches, and also why he is seeing a continuous build in support from the world’s largest platforms, including the likes of BBC 1Xtra, BBC Radio 1, Rinse FM, 1883 Magazine, Wonderland Magazine, Last Bus Magazine, Atwood Magazine, Capital Xtra, Channel 4’s Sunday Brunch, Apple Music, Heart Radio, and many more.
Having already performed at the likes of Soho House, alongside headlining at the BBC’s Introducing Stage at Latitude Festival, Saint Joshua makes his debut headline show on February 1st at The Social, with tickets on sale now from http://gigsandtours.com/

Watch the official video for ‘Trip’ below…

Mae Krell Shares Closes 2022 with imposter syndrome (b-sides)

New York-based singer and songwriter MAE KRELL is closing out the year with the release of the ‘imposter syndrome (b-sides),’ which features singles, ‘tooth fairy’ and ‘(like) spring’ both written during the ‘imposter syndrome’ sessions. After the EP release, Mae revisited the unreleased demos with her producer Jakob Leventhal and decided to rework these two tracks.

“A lot of times my favorite tracks from an artist are the ones that almost didn’t make it out, so I thought it would be only fair to give people a chance to love these songs the way I love some almost-forgotten-about ones,” she says.

Mae released ‘tooth fairy,’ a heart wrenching track about realizing you may be better off without someone you thought you couldn’t live without, as a standalone single earlier this year. “(like) spring” rounds out the B-sides collection. A sparse, hypnotic and enchanting listen, “(like) spring” is a song about falling in love for the first time.

Elaborating on the new track, Mae writes: “I fell in love for the first time in February 2020 and by the end of the year I had followed her to a different state. Although I was away from my friends and family, I still had a feeling of home and belonging- thanks to her. Writing (like) spring originally started as me being fearful and lonely and trying to figure out why, and it led to a love song. For the places I never saw myself being happy in, until I was. For the neighbors and routines I didn’t think much about in the moment, until I moved away and started to miss them. And most importantly, it’s a love song for the girl who made me realize that I could write one, after thinking that I absolutely never would.”

At just 23 years old, Mae exudes a musicality wise beyond her years. Influenced by revered singer-songwriters like Bob Dylan, Phoebe Bridgers and Gregory Alan Isakov, Mae writes intimate reflections that confront past trauma, self-love and personal truths. With a distinct folk-pop sound and undeniable lyrical prowess, she has earned millions of streams across her repertoire with multiple tracks breaking 500K.

Her 4-track EP, ‘imposter syndrome,’ was released in early 2022 and instantly struck a chord with fans and tastemakers alike, with PRIDE aptly describing it as “an intimate and heart-wrenching dissection of the unavoidable self-doubt we all experience in our 20s.” This year has also seen Mae embark on two different tours, one supporting Ethan Jewell and a SoFar Sounds series that runs until the end of the year.

Listen to ‘imposter syndrome (b-sides)’ was released last Friday (2nd December) on all streaming platforms. Have a listen below…

Song of the Day: Grey Rock Shuffle – Ray Alex ((ft. Sydney Jane)

Following their previous R8B/Soul effort ‘Erased’ in 2021, London producer RAY ALEX once again teams up with LA vocalist and songwriter Sydney Jane for his self-produced single ‘Grey Rock Shuffle.’

Projecting past traumas and psychological abuse, Ray Alex and Sydney Jane offer an alternative antidote to toxic and narcissistic behaviour with ‘Grey Rock Shuffle’. Co-produced with ako, the song nods to Larry Heard, Vikter Duplaix and funky house from that era and has an oxymoronic twist in how the dark unsettling lyrics in the song coexist with its vibrant, off-centre instrumentation that feels upbeat and inviting.

‘Grey Rock Shuffle’ is the first of seven songs to be released from Ray Alex’s second EP ‘Unseen Powers’ in Spring 2023 on his independent label Incorporelle.

Ray Alex has also co-wrote and performed on Julia Romana’s debut album ‘Blood Be Fluid’ and is set to release songs with London rapper SAMSON and Atlanta rapper JoeJas in early 2023.

Have a listen to ‘Grey Rock Shuffle’ below…