New Track: Headloss – [ K S R ] (ft. Time Elijah)

Manchester-based soul singer, [ K S R ] continues to pave his way in the R&B world with his debut EP, ‘Unfiltered’, coming out this Friday (22nd March).

The 19-year-old songwriter delivers his lyrics with ease, stylistically paying homage to his influences – D’Angelo, Erykah Badu and Miguel –  whilst curating his own refreshing sound, achieving a perfect balance of bedroom soul, lo-fi hip-hop and R&B.

‘Headloss’ is the latest single to be released from the upcoming EP, a contemporary approach on neo-soul akin to artists such as Tom Misch, Miguel and Frank Ocean. Released last Thursday, the laid back production oozes pure class, allowing the stunningly refined vocals to shine through.

[ K S R ]’s – real name Roosevelt Kazaula Sigsbert – debut single ‘H / Er’ sparked interest from Konny Kon, one half of Children of Zeus, which set in motion a friendship and musical journey that saw Children of Zeus utilise their 15 years in the music industry to show [ K S R ] the ropes. Since then, the young urban prodigy quit university to focus on music and signed to the label Polarface and received support from online tastemakers such as Gal-dem and Dummy and radio play from BBC 1Xtra.

Following the release of his debut EP, [ K S R ] will perform at his six date UK tour, kicking off at YES in Manchester on the 2nd April.

Too Good to miss, wrap your ears around ‘Headloss’.

New Track: Please Don’t Ever Settle Down – Dear Rogue

DEAR ROGUE‘s new deluxe edition of their album, ‘Phases’ ( CLICK HERE TO LISTEN), documents both the emotional depths Drew and Danielle McTaggart plumbed to come up with unflinchingly personal, honest material, and the ground they covered in their efforts to push themselves sonically and aesthetically. The deluxe version includes the original 10 songs of the album plus five new, previously unheard cuts.

With the release of the album, the duo includes an airy, echoing, minimalistic new single, ‘Please Don’t Ever Settle Down’, check it out below:

New Track: Ride – Sara Diamond

 

Montreal’s very own singer SARA DIAMOND was granted the gift of song through her family lineage. Starting her professional career at just five years old, Sara’s years of exploration led to the development of a profound faith in the healing power of music. Sara’s smooth, smoky, and emotive vocals combine the best elements of R&B, soul, and pop to form her own breakthrough sound.

Her new single, ‘Ride’ evoke an internal blissful sensation, thanks to her soulful eminence, sublime vocals, and heartfelt lyrics. Check it out below:

Will The Four Be The Next Great Indie Artist Mine?

A lot of serious music fans tend to dismiss reality competition shows. They can certainly seem very commercial, and there are indications that they’re ultimately more scripted than they look on TV. That said, the talent on display is real, and a lot of the artists who get the opportunity to perform on these shows don’t have fan bases, radio play, or studio connections to their names. The Four is the latest of these shows, and we just got word that Fox would be renewing the series after the conclusion of a successful first season. So does this mean it’s going to be the next great indie artist mine, a la American Idol or The Voice?

If you saw promos for this show and dismissed it as something less than serious, you could be forgiven. For one thing, it seemed more or less like a ripoff of The Voice at first glance. There were to be four celebrity judges, various stages of competition between contestants, and even the staging vaguely resembled that of The Voice. Naturally the competition works a little bit differently, but The Four looked like (and is) more of an imitation than an original concept. Plus, it sort of has a silly name.

You might also have thought the show looked like a sort of vanity project for P. Diddy (or Sean Combs, or Diddy, or whatever it is these days). The iconic hip-hop artist is known for tackling different pursuits and staying in the public eye. He’s guest starred with younger rappers, appeared in films, and even gained a name for himself on the poker circuit. In fact, Diddy was asked to place the first bet on brand new blackjack tables in Atlantic City once – perhaps the perfect example of how his mere presence can enhance a project. Thus, you might wonder if The Four is more or less a money-making win-win between Fox and the rapper.

I know at least that these are some of the reasons I didn’t initially take The Four seriously. But having actually tuned in to some of the later episodes, I was hit with that same realization: that as commercial and promotional as these shows can look, they still showcase some extraordinary talent. As every struggling musician well understands, there are just more artists than there are career opportunities in this business, and these shows tend to highlight that fact. Fielding competitors from countrywide auditions and competitions, they tend to find countless people who are every bit as talented as the artists topping the charts.

I’ll issue a slight spoiler alert here in case you haven’t seen the finale yet or you’re interested in watching the whole first season. But if you want an idea of the kind of performer The Four is uncovering, take a look at this piece on the finale, and the artist who won it all. Her final performance of “Ain’t No Sunshine” is about as impressive as anything you can hear on a radio these days, and it’s wonderful to see another previously unknown artist get her moment.

Here’s hoping The Four continues to be a helpful tool for discovering artists and bringing them the success they deserve.