ELEANOR is a singer-songwriter with an R&B leaning sound, coloured in hues of soul and indie. She takes a narrative approach to songwriting, based on experiences of grief and overcoming to shape stories that are robust and deeply felt.
“I make music because it would be harder not to, it’s a very natural extension of my personhood,” says the artist, whose debut album, ‘A Late Bloom’, has come to fruition. “I hope that in being honest on this project, listeners will feel less alone.” Largely produced by 3x JUNO nominated artist John Fellner, stream it in full here.
The mini set includes previously released singles, ‘Make Sense’ (which claimed the Song of the Week title last December) ‘Waste My Time’, and ‘Former Friend’. With guitar plucks giving a rich soulful sound, debut single, ‘Make Sense’ chronicles a conversation with her mother, reflecting on the frustration that comes with not reaching certain milestones ‘on time,’ such as marriage and home ownership.
Processing a mesmerically hypnotic backdrop, ‘Waste My Time’ was inspired by a friendship that was tiptoeing into a relationship, whereas ‘Former Friend’ leans towards a folklore feel, reflecting on self-worth when a friendship comes to an end
The closing track, ‘Faintest Hope’, is both beautiful and unsettling, a cry for hope from a vacant and barren tundra.
‘A Late Bloom’ was released last Friday, 6th October across various music platforms below…have a listen below…
Must Listens: Make Sense, Former Friend, Bow, Faintest Hope
Chicago Hip Hop artist, FRESH MONEY, is an emerging star in the Midwest market. His latest project ‘Perception Of Money’ is quickly circulating in the city of Chicago and around the region. Gaining plenty of notoriety with leading single, ‘When We Popout’ featuring Drill Music standout, Memo 600, and produced by Arcaze, ‘Perception Of Money’ is a solid project
Fresh Money states, “I’m a versatile artist I can rap or I can get melodic… My music makes you feel happy about life and makes you want to do something to get some money…”
Check out ‘Perception of Money’ now! And stay tuned for new releases and more content from Fresh Money.
After releasing the critically acclaimed ‘Aquarius Purple’ with Soul Step Records in 2020 and selling out the entire run – MARCUS MACHADO‘s newest effort ‘Blue Diamonds’ is now available on all digital streaming platforms. The album was released on vinyl in May to rave reviews including a feature in the latest issue of Guitar World Magazine.
Marcus was named “Next Young Gun” by Rolling Stone Magazine and since then, Marcus has not disappointed in becoming one of the most in demand young guitar players in the world in both the studio and on the road. Recently, Marcus has collaborated on the music score for the documentary “Mr. Soul.” Marcus also was requested to play the national anthem in Madison Square Garden for the NY Knicks as well as Oracle Arena for the Golden State Warriors.
Marcus has grown in notoriety through his work with Th1rt3en with Pharoahe Monch and Daru Jones. He has also been featured many times in print as well, earning rave reviews in Guitar World and Guitar Player Magazine.
Fans who enjoyed the adventurous sounds of ‘Aquarius Purple,’ will certainly enjoy the growth demonstrated on ‘Blue Diamonds.’ It is deep and soulful R&B listeners can take a trip with. Marcus delivers again another set of funky and soulful jams. Listeners continue to get instrumental funk and R&B tunes that are driven by Marcus’ soaring and screaming guitar as he showcases why he just might be one of the best players in the game.
As an added bonus on this LP, listeners will get plenty of guest vocalists to take things to another level. Jermaine Holmes, Brian Owens, and many more grace the tracks on ‘Blue Diamonds’. Marcus Machado has an uncanny ability to create some truly inspiring musical landscapes, and ‘Blue Diamonds’ is no exception. This record is full of grooves and the best way to experience it – is to get it on a turntable and feel.
‘Blue Diamonds’ album is now out across various music platforms.
Much of ‘Radio Red’, the first full length album LAURA GROVES has released under her own name, was written, produced and recorded by Groves in her studio, watched over by two radio transmitting towers. “I became very drawn to them and they became like symbols to me; they were always awake, sending their messages, the red lights always came on at night and watched over whatever was going on in my life.” The album deals with themes of communication – missed and intercepted signals, chance meetings, synchronicities, the channels through which we try to express our true feelings, the outside interference that can get in the way and the joy of letting go and allowing the messages to flow freely.
Working its way through years of Laura’s life as an artist – early experiences of releasing music, live performance, touring, build up and breakdown, the record was a way to tune in to the many, often conflicting signals of fragmented memories. “I’ve always been very sensitive and open to what’s happening around me, and also struggle with the sheer amount of noise sometimes. There was a radio tower on the hill opposite the house where I grew up – I would look out at the network of streetlights winding up towards it and it all had a sort of mystery to me. It was a kind of escapism and a comfort, with an undertone of melancholy that was hard to put into words. I think that glow, that strange feeling, is what I’m always searching for and exploring through making music and artwork.”
This is the wavelength Laura is tuning into and trying to pin down in ‘Sky at Night’ and the ‘faraway feeling’ that she talks about being consumed by in the hymn to miscommunication and determination ‘Any Day Now’. This faraway feeling makes itself known as the need to open up and show emotion in the chord voicing of ‘Synchronicity’, true friendship, togetherness and isolation in our online world in ‘Sarah’ and the heartbreak that can come with the breakdown of communication in electric piano love song ‘I’m Not Crying’. The ‘Silver Lining’ of the final track, which returns to Laura’s early love for fingerpicked guitar, leads us back to the power of the redemptive love that always seems to show up just when everything seems lost.
A singer all her life, Groves has spent over a decade developing a practice as an autonomous multi-instrumentalist and recording artist as well as a collaborator (Ragz Orginale, Darkstar, Sampha, Jamie Leeming), releasing EPs on DEEK Recordings and the 2020 EP ‘A Private Road’ on Bella Union. Much of the creation of Radio Red was solitary, but a small group of people helped bring it to fruition. A meeting with mix engineer TJ Allen (Portishead, Adrien Utley) through her work in Bat for Lashes’ live band led to an important creative relationship. “Working with Tim provided me with a safe and nurturing studio environment in which to finish the record. It also means a lot to have Sampha’s voice on ‘D 4 N’ and “Good Intention”, because we first met near the beginning of this journey and so much has happened since then – singing together again feels like coming full circle in the most positive way and a reminder that there are constants running through it all.”
‘Radio Red’was released 11th August. Have a listen below…
Must Listens: Sky At Night, Good Intention, D 4 N, Any Day Now,
“Yo, hacky sack liberal college rap, we don’t f*ck with that,” Zilla Rocca emphatically proclaims in his opening line of ‘Don’t Panic,’ which should be bold text on a welcome mat with this album cover on it.
‘Stacking Chips’ is the long-overdue collaboration between Philadelphia MC ZILLA and Chicago producer JASON GRIFF. The two are long-time friends, having met on MySpace in the mid-2000s, yet had not collaborated on a full album until now. This project, however, was definitely worth the wait. Featuring hardheaded, bass-heavy car music that salutes the influence of 90’s Queens and Southern bounce, with juicy hooks and incredible guest verses from artists such as SolarFive, Defcee, ShrapKnel, Milc, and even the great SKECH185.
Zilla and Griff set out to make an album full of end-of-summer bangers, and did just that. From the banned-from-streaming ‘Frank Castle,’ which questions American police officer’s love of The Punisher logo to the vibrant and bouncy, Andrew-assisted ‘Barkeep.’ The album consistently toes the line of aggressive and lighthearted at the same time as Zilla can flip between tales of canceling a date to watch a DOOM interview to dreaming of catching up with potential car thieves.
The album title is an homage to longtime friend, collaborator, and co-founder of Insubordinate Records, Lorde Jones Scorcese, whose voice can be heard throughout the album including his trademark acronym “Stacking Chips on Record Crushing Every Single Enemy,” among other resurfaced dialogue. The album concludes with a heartfelt tribute song ‘No Question’ featuring Alex Ludovico.
Stacking Chips also features guest appearances from Ace Cannons, Jesse the Tree, Alaska and ZeroStar. The album was mastered by C. Money Burns. Check it out below…
Must Listens: Nine Fifteen, A Note To Potential Car Thieves, Scott Summers
New Lease Music 