Fresh out of Sheffield, Rapper J KAS drops some old-school favour in new track, ‘Come on Down,’ featuring Brazilian-born rapper Lucas Garcez. The Dreamlife-produced-joint, is a testament to the artistic synergy that emerged when these two talents crossed paths in Porto, Portugal, in 2018. J. Kas and Lucas Garcez, brought together by a shared passion for music and hip-hop, create a vibrant sonic celebration of their respective journeys in the world of art.
In this track, J. Kas pays homage to Porto, the city he now calls his second home, where the collaboration with Lucas Garcez took root. Lucas, having relocated to Porto during his youth, adds a unique perspective, making the city an integral part of his identity. The lyrics reflect the duo’s love for music, dedication to honing their craft, and an enthusiastic celebration of the hip-hop culture that unites them.
As the verses unfold, the rappers not only express their shared artistic endeavors but also give a nod to both Porto and Sheffield, acknowledging the cities that have played crucial roles in shaping their identities as artists. ‘Come on Down’ becomes a symbolic bridge between two cultures, connecting Sheffield and Porto through the universal language of hip-hop. The track is more than just music; it’s a testament to the power of collaboration, cultural exchange, and the enduring spirit of hip-hop that transcends geographical boundaries.
‘Come On Down’ was released last Friday (9th February) across various music platforms. Check out the video for the blazing track below…
French music producer and singer HEZEN continues to push the boundaries of sound and art with her latest single, ‘Au Clair de La Lune’. Sung in French, the single explores the digitalization of sex, the impact of artificial intelligence on human sexuality, and the fluidity of gender identities in the metaverse.
Au Clair de La Lune’ is the second installment of HEZEN’s ambitious body of work slated for release in 2024. The single cleverly weaves elements from a classic French lullaby into a futuristic soundscape .HEZEN’s self-made visualizer takes viewers on a captivating journey, blurring the lines between the real world and the digital realm, whilst challenging perceptions of reality and artificiality.
Renowned for her genre-fluid sound, HEZEN’s ability to blend experimental pop, electronica, and captivating vocals has positioned her as a trailblazer in the contemporary music scene. Previous releases have received critical acclaim from publications such as WONDERLAND, CLASH, Glamcult, and Kaltblut, solidifying her reputation as a boundary-pushing artist.
Why not check out the lyric video for ‘Au Clair de La Lune’ below…
Comprising of Jessica Ford (vocals), Brett Crockett (aka B. on vocals and producer) and Japanese-American multi-instrumentalist Eric Matsuno (bass), captivating trio KARMACODA have unveiled their new single, ‘Try At Me’, which takes on a soulful, R&B quality that oozes with jazz lounge sensibility. A tender but passionate anthem to self-liberation and overcoming hardship, this track sees Jessica Ford baring her soul in her stirring, powerful vocal delivery. Her vocals soar over a gentle, syncopated downtempo beat, minimal R&B bassline and lowkey instrumental arrangements peppered with the delicate teal of jazz piano. ‘Try At Me’ is bathed in emotion and pain, yet decidedly triumphant and hopeful.
Jessica shared: “I wrote this song about a young girl I teach singing to. She had been through so much loss, anger, sadness and so many trials; more than any little girl should ever have to endure. I watched her fall into a depression, so much so, she didn’t want to sing anymore. Slowly but surely, through love, time and a lot of work, she started coming back, becoming more confident. I watched her fight for it.The song ‘Try At Me’… the words are “it’s time to try at me”, in other words, it’s time to give myself some girl power. It’s time to find myself, it’s time for me to rise, take a chance on myself, get out of this dark place, be heard, grow, and take a leap of faith, even when I feel beat up, I know I can stand up, try at me. She did, and she is. She is singing again. I couldn’t love this more. To my girl, this one’s for you.”
With impressive discography and many awards under their belts, San Francisco- based KARMACODA have offered up a vast array of sounds over the last twenty years, including electronica, chill, trip-hop, R&B, rock and dream pop. While still eluding being pigeonholed into a single genre, the trio’s sound has evolved into a soulful, sophisticated fusion of R&B, jazz lounge, drawing comparisons to the likes of powerful artists such as Adele, Alicia Keys, Leona Lewis and Lana Del Ray.
‘Try At Me’, was released on 26th January via Sola Musa Music. Why not check it out below…
It’s been nearly six years since SY SMITH‘s acclaimed album, ‘Sometimes A Rose Will Grow In Concrete’. After guesting on Zo! and Tall Black Guy’s ‘The Ride’ for their excellent 2021 album Abstractions, the multi-talented, Emmy-nominated singer/songwriter and actress reunites with her frequent collaborators for her new album ‘Until We Meet Again’, released today (26th January) on all DSPs via +FE Music/EMPIRE. Produced entirely by Zo! and Tall Black Guy, and executive produced by The Foreign Exchange frontman and Little Brother co-founder Phonte, the album features the sensual lead single ‘Slide’ and serves as Smith’s long-awaited full-length +FE Music debut. Guest appearances include world renowned singer/drummer Sheila E, trumpeter Chris Botti, and more.
“You ever pick up an old photo album that you haven’t seen in many years and look through it? And all the memories of each photo come flooding back as if those pictures were just taken yesterday? That’s what “Until We Meet Again” feels like. It’s a sonic reverie down memory lane – making stops at every single emotion that comes with reminiscing.” – Sy Smith
Sy Smith is set to hit the road in March and April for her Until We Meet Again headlining tour. Dates and more info are available here. For now, have a listen to the breathtaking album…
Must Listens: Photograph, Slide, Summer of ’93, All The Ways,
Hackney rapper NICKI KNIGHTZ latest EP, ‘Lonely Girls Hearts Club’ is a rollercoaster of both extreme highs and painful lows, produced by genre bending partner in crime Henny Knightz. This is her third project following 2020’s ‘For The Uninformed EP’.
‘Lonely Girls Hearts Club’ is an 8 track play which marries early 2000s nostalgia, rap, avant garde samples and classic 808s. A both playful yet intense overlook of how traumatic experiences lead to partaking in activities that are riddled with self-sabotaging themes, which in turn ties into the projects title.
Opening track ‘Lonely Girls Hearts Club’ (Intro)’ tells of how NIcki came to refer to herself as a ‘lonely girl’ relaying her experiences of council estate living and being painfully different from the accepted norms. It also celebrates the solace she found once discovering equally talented and artistic outcasts. Accompanied by a cinematic video which exhibits Nicki and three fellow ‘lonely girls’ that the world has turned its back on. Though they experience extreme highs when together, once alone they are left grappling with sombre thoughts and intense emotions. Inspired by the hit movie ‘Set It Off’ to fight back they take their destinies into their own hands.
Second track ‘Along Came Molly’ a retelling of the high and lows of the experimentation with MDMA, over a whimsical, stripped back bed of instrumentation with Nicki’s husky vocals stabbing through prominently.
Third track ‘Step With Me’ ft. Joe Jas , A nostalgic song with heavy influences from the much praised 00’s era with braggadocios lyrics, smooth tones and a catchy hook By JoeJas. Henny Knightz taps into the early 2000’s creating a beat that brings you straight back to the times of MTV in the first few seconds. A song that has a true sense of individuality, with three of the most distinctive, artistic individuals from London’s weird and wonderful Alternative Hip Hop scene.
Fourth track ‘You Want Me’ ft. Tai A song that explores the fantasy of a girl next door crush, that you are then able to explore and the thrill that it provides, once attained. A quite mellow and chilled, sexy instrumental that features East London multidisciplinary artist Tai.
Fifth song ‘Bigger Things’ ft. Ivohé delves into the nuances of working a 9-5 whilst also trying to fund and prioritise a dream. Berlin based artist Ivohé’s angelic voice reinforces the message being shared.
Sixth song ‘ICY’ Sonically a lot more darker and a lot more focused on rapping capabilities, Nicki vents her frustrations on recent experience, a fuck you so to speak to all.
‘Cherry’ ft. RETROPXSSY, an exploration of how Nicki came into her sexuality. Retropxssy blesses the chorus with her experimental performance, reiterating that sometimes the ‘normal’ way isn’t always meant for everyone.
The multifaceted, multi-layered project, ends with ‘P.O.V’. A song told from a perspective other than Nicki’s. “I created this song not from my own experience, but from a lot of females point of view that I have spoken with. The first verse is me speaking from a woman who is going through domestic, sexual abuse with her partner at home and how on the gram, socials she presents to be happy/perfect but really, she is struggling, she is broken. The second verse then speaks from the male’s perspective who is inflicting the abuse, where he speaks on how he became to be this person, from watching his father do the same to his mother.”
A voice for the outcasts, routing out of Hackney, rapper Nicki Knightz’s emotional turmoil is easily identifiable through her husky tone and self-descriptive lyrics over demanding, bass fuelled alternative production. Nicki’s voice is still nothing short of ‘unique’ and raw, accompanied by her partner @hennyknightz left-field production, making her ‘sound’ even more of a breath of fresh air categorising it underneath the genre – Alternative HipHop. Nicki Knightz released her first EP ‘Hate’ in late 2018, celebrating its release by headlining her own show at Old Blue Last in Shoreditch with supporting artists @HennyKnightz & @BZERK.
2020, Nicki Knightz returned to share an important message about her mixed-race identity with the release of ‘For The Uninformed’ during a pivotal time in history – the uprise after the George Floyd protests. The E.P was congratulated by Toddla T praising ‘India Arie’ by making it his ‘coldest record of the week’ on Radio 1 commenting “this is special, “I’ve never heard anything like it”.
Mid 2022, Nicki released her lead single “Lonely Girls Hearts Club” with a cinematic visual, that premiered on KALTBLUT Magazine – Germanys leading indie print / online magazine for Art, Fashion, Music.
Why not check out ‘Lonely Girls Hearts Club below…
Must Listens: You Want Me?; Bigger Things; Cherry; POV
New Lease Music 