Mariam Davina’s new single, ‘Couldn’t Imagine’, is a heartfelt Christian ballad, a love song of gratitude to Jesus. It honours His sacrifice, constant presence, and faithful friendship. More than a Saviour, he’s a Friend who carries our burdens and loves without limits. Life without him is unimaginable.
Mariam draws inspiration from artists such as Mary Mary, Tamela Mann, Kierra Sheard, Koryn Hawthorne and Ahjah Walls. Growing up leading worship and ministering regularly in church, this shaped her distinctive style, her confident stage presence and developed her vocals into the powerful sound she exhibits today. Attending Elam, for college helped her solidify knowledge as an artist and in navigating the music industry.
‘Couldn’t Imagine’ is now available across all leading music platforms. Why not listen below
UK artist BONNIE FREECHILD returns with ‘1993’, a heartfelt R&B track that pays tribute to the golden era of love songs while showcasing her own modern, soulful edge.
Opening with gentle piano chords, dreamy strings, and twinkling textures, the song eases into a laidback percussive groove, setting the stage for Bonnie’s rich, buttery vocals. With lyrics like “love me like we’re stuck in 1993” and “rollerskates holding hands in the summer, mixtapes made just for your lover,” the song captures the sweetness of old-school romance – when love felt real, vulnerable, and lasting.
‘1993’ blends Bonnie’s signature sultry vocal delivery with classic R&B influences, echoing the lush soundscapes of the ‘90s while staying grounded in today’s scene. It’s a nostalgic love letter to an era defined by red roses, butterflies, and the kind of music that made you believe in forever love.
Speaking on the track, Freechild says “I just want to be loved like they loved in 90s R&B! That raw, simple, passionate romance- the videos were intrinsically romantic, the lyrics emotionally intelligent, the melodies silky and smooth. I wanted to write something that feels like being wrapped in nostalgia but still makes you move- soft, intimate vocals, a sexy slow-wind breakdown, all over rose-petal energy.” It’s a sentiment she’s also taking to local press: at a time when dating often feels chaotic, disconnected, and more about swipes than slow dances, ‘1993’ offers an antidote- a reminder of when love was simple, honest, and real.
Co-written with producer and artist Kwest, ‘1993’ draws inspiration from a foundational year in R&B, when timeless songs like SWV’s ‘Weak,’ Mariah Carey’s ‘Dreamlover,’ Janet Jackson’s ‘That’s the Way Love Goes,’ and Toni Braxton’s ‘Breathe Again’ defined a generation. Bonnie Freechild is no stranger to acclaim, either. She has performed at the BBC Proms, been recognised as a finalist in BBC 1XTRA’s Performing Arts Fund, and had her music featured across TV and radio in Southeast Asia. With ‘1993,’ Bonnie Freechild cements her place as one of the UK’s most compelling emerging voices in Pop-R&B, delivering a timeless ode to the beauty and allure of old-school love.
This release is as homegrown as it gets – with a music video on the horizon filmed on an iPhone in a vintage car garage, put together with friends, community spaces, and Bonnie’s own hands-on touch. It’s “iPhone and a dream” energy, much like the 90s R&B that inspired it: simple, direct, and full of heart. No gloss, just real romance and connection.
That same spirit runs through everything Bonnie is doing around 1993. She celebrated the release with a live performance on October 23rd at Go East Vintage Market – bringing music into community spaces, with food, and culture. With 90s-inspired merch (from cassette-shaped keyrings to physical CDs with personal messages) and a string of creative collaborations, Bonnie is focused on creating experiences that feel personal and unforgettable. It’s all building towards the launch of her debut EP in December 2025, where she’ll expand on the same themes of intimacy, nostalgia, and fearless self-expression.
“I just want to be loved like they loved in 90s R&B! I have always loved 90s R&B, and in amongst me navigating the complexities of technology and chaos of dating in the 2020s I’ve often thought, man I wish I could have that type of love they seemed to have back then. That raw, simple, passionate romance – that 90s R&B kind of love.
I had the idea of writing a song about it – a nostalgic vibe, with a fresh take. The videos from that time were intrinsically romantic, the lyrics emotionally intelligent, the melodies silky and smooth. I wanted to write something that feels like you’re wrapped in a blanket of that nostalgia, but still makes you move. The kind of track you don’t just hear, you feel – soft, intimate vocals, a sexy slow-wind breakdown, all over rose-petal energy. Gentle and romantic but still a bop you’ll need to rewind.
I met producer and artist ‘Kwest’ when we both performed at a gig last year, and as instant fans of each other’s music we started doing some writing. When I shared this concept, we vibed on the piano, riffing around ‘love me like R&B’ and well…1993 rhymes with R&B! When we looked into it we realised that although we are referencing the entire decade, 1993 was quite a foundational year. Some of my favourite songs ever came out then: SWV’s Weak, Mariah Carey’s Dreamlover, Janet Jackson’s That’s the Way Love Goes, Toni Braxton’s Breathe Again, Tevin Campbell’s Can We Talk, Xscape’s Just Kickin’ It. Jodeci dropped Cry for You and Feenin’. Even De La Soul released Buhloone Mindstate, a more grown and experimental record – there’s really no 90s R&B without hip-hop running through it. Mariah even built her signature sound from that blend. And in the UK, Eternal made their debut with Stay. Even Poetic Justice came out that year with Janet and Tupac – the music, the film, the culture all intertwined.
There’s just this essence in 90s R&B that’s missing in today’s digital world. It’s raw, grounding, and honest. And the truth is we all deserve that kind of love!! This song is for anyone who is lucky enough to have it, anyone who craves it, and everyone who wishes love still felt that way.” – Bonnie Freechild.
In the ever-evolving world of independent music, few artists have carved a path as authentic and heartfelt as ALAN DREEZER. The multi-award-winning Pop-Soul singer-songwriter from Eastbourne, East Sussex, has spent decades honing his craft — and it shows in every note he sings.
Before stepping into the spotlight as a solo artist, Alan’s musical roots were grounded in collaboration. For over 20 years, he worked with various musicians and bands, including the pop duo Tara 2, who once supported 80s favourites Brother Beyond on tour. Later, with his Rock-Pop outfit ADProject, Alan played to sold-out crowds at High Barn in Great Bardfield, Essex — a venue often celebrated as one of the UK’s best small live stages.
By 2017, Alan felt the pull to create music that was truly and entirely his own. The result was his debut solo album ‘LONDON E12’, released in 2018 — a soulful, introspective project inspired by life, love, and self-discovery. To support the album, he hit the stage across venues in Essex and London throughout 2019, reconnecting with audiences who instantly connected to his warm vocals and honest storytelling.
Then came 2020 — a year that challenged artists everywhere. But Alan refused to slow down. Amid the lockdowns and uncertainty, he released five singles, staying true to his creative vision and connection with fans. That momentum led to his second full-length album, ‘H E A L E D’, released in September 2021 — a record that captured his emotional growth and artistic maturity.
Alan’s hard work and soulful sound didn’t go unnoticed. In 2022, his single ‘Butterfly’ was voted Best Pop Song of the Year by readers of Indie Boulevard Magazine. The following year, ‘Take Me Back’ soared to number one on the South Devon Sound radio request chart, where it stayed for three weeks, and earned him a nomination at the Orpheus Global Independent Music Awards.
But it was 2024 that truly cemented Alan’s reputation as one of the UK’s standout independent artists. His single ‘(Love Didn’t Hurt Me) It Was You’ not only resonated deeply with listeners but also went on to win Song of the Year at the prestigious Orpheus Global Independent Music Awards, created by TJPL News Magazine.
Alan’s latest single, ‘APART’, continues his long-time collaboration with producer Elliot Richardson of Highfield Studio. The partnership has proven to be a powerful creative force, blending soul, pop, and introspective lyricism into a signature sound that’s both timeless and contemporary.
With his heartfelt lyrics, smooth production, and commitment to genuine artistry, Alan Dreezer stands as a shining example of what it means to stay true to your sound — and your story.
Whether he’s performing live, writing new material, or connecting with fans around the world, one thing is certain: Alan Dreezer’s journey is far from over — and the best is yet to come.
Why not listen to ‘APART’, which will form part of this forthcoming album, ‘Nothing Changes If Nothing Changes,’ slated for release in Spring 2026.
Swedish EDM artist HANDSHAKE IN SPACE returns with a strong and meaningful new single, ‘Feel This Free,’ released last Saturday, 11th October, on National Coming Out Day. In a year when LGBTQ+ rights are being challenged worldwide, HANDSHAKE IN SPACE sees it as especially important to release this song as a celebration of the power of love and freedom.
Composed by HANDSHAKE IN SPACE, with lyrics and melody by Tim Heller, ‘Feel This Free’ combines a driving kick drum with a warm heartbeat, emphasizing the theme of freedom and the strength found in loving openly and without fear. With lyrics like “All I’m ever gonna need / Is a kick drum and your heart beat” and repeated choruses urging to Feel this free, the song captures a feeling of rebellion, community, and courage.
‘Feel This Free’ is an anthem for anyone fighting to be themselves, a call to not let any rules or obstacles stop love. With an uplifting message and danceable beats, the song is equally a celebration of freedom as it is a reminder of the importance of solidarity and acceptance.
HANDSHAKE IN SPACE has become a voice in the Swedish EDM scene with previous releases, and this single strengthens messages of hope and resilience during a time when they are needed more than ever.
A tribute to love, freedom, and feeling free, ‘Feel This Free’ is on all major streaming platforms…why not check it out below…
Canadian singer-songwriter GENA PERALA unveils her latest single, ‘Lucky One’, the fourth release from her upcoming 12-track album ‘Somewhere New’.
Equal parts biting, vulnerable, and defiant, ‘Lucky One’ dives headfirst into the contradictions of being human—too much of everything, not enough of anything, and somehow still finding a way to laugh through it all. With brutally honest lyrics like, “Drink too much, smoke too much, fuck just enough, talk too much,” Perala captures that razor-thin line between self-destruction and self-awareness. It’s raw, it’s self-exposing, and it’s delivered with a dark wit that cuts deep.
The song’s cover art features a striking photograph of Perala’s mother and godmother, taken during their days on the carnival circuit in the 1970s. For Perala—who spent her own childhood traveling with her family from town to town under the lights of the carnival—this image isn’t just a nod to the past. It’s a metaphor. A reminder of what “luck” really means in a place where the games are rigged, the odds are stacked, and people still show up, coin in hand, hoping for a win.
That same tension—between hope, illusion, and survival—runs straight through ‘Lucky One.’
The chorus lands like both confession and anthem: “I’ve never been a sad girl, turning into such a sad world / I’ve never been the lucky one, count my blessings zero to some.”
While Perala has always acknowledged her blessings, she’s not afraid to admit that optimism doesn’t come easy. In a world that so often feels tragic and unjust, holding on to any kind of hope means confronting grief, loss, and all the spaces in between. ‘Lucky One’ lives in that uneasy emotional terrain—where joy and sorrow coexist without cancelling each other out.
“I’ve never really been the lucky one,” Perala reflects. “But maybe that’s the point—there’s strength in still showing up, still playing, even when the odds are against you.”
Following the momentum of her earlier singles, ‘Lucky One’ further cements Perala’s reputation for fearless storytelling and for finding beauty in life’s hardest truths. It’s not just a song—it’s a statement. One that reminds us that sometimes, showing up is its own kind of win.
New Lease Music 