A Quick Chat With…Marina Massanova

It’s an absolute pleasure to introduce MARINA MASSANOVA.

Known for her quirky pop and alt-rap singles that are arguably controversial, the German-based singer/songwriter has recently released the video for single ‘Aberrations’, which is currently the blog’s Music Video of the Month. The video contains striking visuals with wonderfully bizarre hidden meanings, so I caught up with Maria to reveal all…

NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2024 treating you so far?

MM: Hi Tracey, it’s so nice to connect with you!

2024 kicked off in a rather sneaky way. One part of the world was plunged into darkness—remember the total solar eclipse on April 8? It really hit me then how tiny we are in the universe.

But here’s the thing: despite feeling so small, I’ve witnessed so much beauty this year—in music, art, and everything people have created. It makes me wonder if we might actually be quite unique beings among all those distant, rocky planets.

I’m here, fully alive, soaking in millions of shades of emotions every day, savoring delicious burritos, listening to Cola Rammë’s voice notes, and watching the rain fall.
2024, thank you for all of that!

NLM: You released the video for single, ‘Aberrations’, with Cola Rammë back in October. What’s the concept behind the production?

MM: Innocence and perversion—even if we hesitate to admit it, these two forces are always connected within us. Cola and I dared to express this truth openly and provocatively, challenging the minds of our listeners.
People often find the truth unsettling, especially the things they’d rather not think about for more than a fleeting moment. These are the thoughts they only entertain late at night, when no one else can guess what’s going on in their heads.

But there are no ‘bad’ thoughts. Our brains are simply processing pieces of information in strange and absurd ways—and that’s okay. It’s normal to think about forbidden things and dream bold dreams. Our minds are just testing what feels comfortable and what doesn’t. In the end, it’s what we choose to do with those thoughts that defines who we are. That final decision is what truly matters.

NLM: What inspired you to come up with the idea?

MM: It all began with a chilling nightmare experienced by my co-writer, Cola Rammë. In this dream, I was transformed into a terrifying monster relentlessly hunting him. Maybe that’s just how his inner self sees me!🤭
The nightmare itself was horrifying, but what really haunted Cola was a mysterious song that played on a loop in the background. Upon waking, he quickly captured that haunting melody, “stealing” it straight from his nightmare. That melody became the foundation of the song ‘Aberrations’.

When it came time to create the video, we couldn’t resist revisiting that unsettling dream. Aberrations isn’t just a video—it’s an invitation to step inside Cola’s nightmare. We brought to life the disturbing imagery from his dream, plunging viewers into a surreal and terrifying landscape where the line between reality and horror is beautifully blurred.

NLM: Man, you look like you were having a lot of fun in the video! During filming, were there any funny/awkward moments you would like to share?

MM: Absolutely! Picture this: a peaceful rural German village, where parents, kids, and the elderly are all enjoying a lovely day by the lake. The sun is setting, it’s warm and serene. Suddenly, Marina appears, with scary makeup, a Medusa crown, and a latex corset, diving into the water. I’d say they were definitely curious about what was going on.

Meanwhile, Cola, who had bought a bunch of dolls from a thrift shop, was all set to destroy them. But honestly, the way he did it was the most artistic destruction I’ve ever seen. Of course, he captured everything on camera for our video.

If I could tell little Marina what my future job would be, I think she’d be pretty excited!

NLM: What is the public perception of the video so far?

MM: The phrase I heard most often was, “This video is so artistic!” What’s even more exciting is that the video was selected to be showcased in the movie theatre at Berlin’s “Support Local Music” event. The creator of the event told me that the video was so captivating that he completely forgot to take the usual photos during the screening—he was absolutely absorbed in the narrative. And it didn’t stop there—many others said it was crazy and described it as a mysterious puzzle that needed to be solved. It’s truly unbelievable how many people were drawn to it!

NLM: If you had the chance to feature a famous actor or musician in the video, who would it be and why?

MM: The only thing that could make this video even more macabre would be featuring Marilyn Manson in it. I truly believe that if he had the chance to see it, he’d enjoy it too. When I was a teenager, I dreamt of marrying him, and I still feel his influence in the work I do today. He’s such an incredible artist!

NLM: Are you closing off 2024 with any of your solo work?

MM: I know a lot of people are eagerly waiting for my punkish, wild solo songs—and I’ve got three new ones! I’m keeping them under wraps while Santa’s still flying around, so he won’t be too shocked and I can get my good-girl presents. But as soon as that old grandpa heads back to the North Pole, I’ll put them into production. And oh, oh! It’s going to be something pretty wild.

NLM: What plans do you have in store for 2025?

MM: Hmm, let’s make them together. I think I’m ready to welcome new people into my music community. Right now, it’s a bit of a secret project, shared only among fearless music seekers. But I know how my beloved fans listen to my songs relentlessly, and it would be selfish to keep it all within our circle.

So why not invite some exciting new people in? Every soul brings something unique to the project. I believe music isn’t just about the artist—it’s about the whole community that grows and evolves together. Let’s do it! I’m ready to step out from my introverted side. That sounds like a plan to me!

NLM: How can potential fans find you?

MM: You can easily find me as Marina Massanova on all streaming platforms, socials, and everywhere else. I’m eager to meet you 🖤

NLM: Finally, any special shout outs to those involved in producing ‘Aberrations’ video?

There were only 3 people involved in creating the video. I filmed my scenes in Berlin with the incredibly talented videographer Nataly Dimitrieva, while Cola captured his intense shots in Newark all on his own.
When it was time to put it all together, I took on the editing, and that’s when it all came to life!

The simplicity of the team paired with the complexity and mystery of the final result is something I’m so proud of. I couldn’t be more thankful to have worked with such talented, out-of-this-world people. This experience is truly a reason to be alive on this planet!

Genevieve Miles returns with shoegaze-y broken-hearted catharsis in ‘howl’

GENEVIEVE MILES’ psychedelic indie fusion continues to take on new levels of depth with shoegaze and rock influences taking the forefront in new single ‘howl’. Inspired by the likes of Talking Heads, Slowdive and Courtney Barnett, this new single continues her evolution and maturity, as “a true artist of today’s generation” (Local and Live). This single marks the first time Genevieve has recorded with her whole band in the studio, as she finally moved back to her spiritual home of Birmingham at the start of this year. The grit of recording in Digbeth truly shines through on the track, produced by Jo Cartledge, amongst a scene of exciting upcoming bands in Birmingham such as Gingham, Jazzcat and pip.

On the single, Genevieve says: “this has always been our favourite to play live, I am beyond excited that we can all finally cry and scream together at home to this song, one I wrote at ground zero of a broken heart.”

After the triumphant release of last year’s EP, So heavy, so hard to hold, Genevieve has been busy forging new expressions within her music. The EP, which offers “a sonic embrace to all who listen” (Unrecorded) was featured in BBC Introducing’s Top Tracks of 2023, listed in Dead Good Music’s top ten EPs of 2023 and gained spots on Amazing Radio’s Indie and Easy Listening playlists. Lead single ‘Good’, was first launched on a Hyundai advert in 2022 and has since accumulated over a million views.

Following the success of this EP, Genevieve has spent the past year in the studio, as well as performing around the UK, including notable festival slots at Camp Bestival and Wychwood Festival, supporting Megan Wyn in London, and headlining a packed out show at Birmingham’s renowned Hare and Hounds. She’s also received endorsement from exciting brands such as Goose and Gander.

BBC Radio have consistently supported Genevieve since 2019, including a slot at BBC Introducing Live, their joint showcase with Birmingham Music Awards (2020), the digital BBC Airwaves Festival (2021). All this support culminated in playing their stage at Truck Festival (2023).

Overall, 2023 was an exciting year including her first UK tour, a slot at a fringe event of The Great Escape Festival and playing Big Retreat Festival. Her wide range of influences was also celebrated when Fontaines D.C. shared her acoustic cover of their song ‘I Don’t Belong’ for the online Rock the Breadline fundraiser.

On the live experience, Genevieve says: “I love throwing myself around on stage and shouting as loud as I can: it’s for all those years that I stayed quiet, didn’t get mad, people pleased. This is the time of the wild woman: we are loud, emotional, ALIVE.”

Genevieve is also celebrating the release of ‘howl’ with a gig held at The Yard, a cosy space in Moseley, Birmingham. It promises to be a stripped-back set next to a log burner, an intimate night which will mirror the raw intimacy of the new single.

Upcoming gigs:
3rd November – Hare and Hounds, Kings Heath (supporting Danny Mellin)
13th December – The Night Owl, Digbeth

Connect with Genevieve Miles via:
FB: https://www.facebook.com/genevievemilesmusic/
IG: https://www.instagram.com/genevieve_miles/
TikTok: https://www.tiktok.com/@genevievemilesmusic
X: https://x.com/genevievemiles_

OUT TODAY: Clara Pople shares self-empowerment single, ‘Hot Moon’.

CLARA POPLE‘s brand new single, ‘Hot Moon’ broods a strong atmospheric drive, soothed over by her delicately light vocals which creates a laid-back and magical experience. If you’re unfamiliar with Clara Pople, she is a promising indie pop/trip-hop artist from North West of England, that’s well and truly connected with nature and her latest single mirrors that bond, the chaotic energy that a Full Moon brings – and her resilience in carving a name for herself in the challenging music industry.

Speaking about the inspiration behind ‘Hot Moon’, Clara Pople shares: “This is my empowerment anthem for all women and people who can feel overpowered by the forces of nature. Hot Moon is a song about the ebbing and flowing tides of being a woman. How nature can control our mood and how, whilst infuriating, we just have to give in sometimes and let the madness take over.”

Crediting her upbringing in a family of strong women and her education at an all-girls school for instilling a sense of resilience, Clara she feels confident and empowered enough to navigate a path into the music scene, her way and on her terms. She created The Boat Gigs, which have quickly become a word-of-mouth sensation in London’s underground scene. The gigs, which feature a lineup of three emerging artists, have become a lifeline for musicians looking to play in a supportive environment without the usual pressures of self-promotion.

South Cumbria-born Clara came up with the idea of The Boat Gigs after moving onto a boat. She envisioned turning the intimate and airy space into a venue. What began as a personal experiment has blossomed into a vibrant monthly event, situated at St Pancras Old Church in London, where Clara will be performing at tonight’s (19th September) headline show.

She explains: “Hosting gigs on the boat just felt natural. I needed a venue where I could headline, so I thought, why not create my own show every month and build a community around it? It’s been incredible seeing how these gigs are helping other emerging artists as well. They’re the OG form of what a gig should be—built-in crowd, guaranteed pay, and a chance to connect with like-minded musicians.”

With the release of ‘Hot Moon’ – out today (19th September) – across various music platforms – and her thriving boat gigs, Clara Pople proves there is room for creating music that’s true to oneself, while building a strong community of like-minded musicians. Why not listen to ‘Hot Moon’ below…

Connect with Clara Pople via:
FB: https://www.facebook.com/ClaraPopleMusic/
X: https://x.com/clarapoplemusic
IG:https://www.instagram.com/clarapoplemusic/
TikTok: https://www.tiktok.com/@its_clara_pople

OUT TODAY: Jozem exposes the moody side to summer with his indie-R&B EP, Summerhaze

A sombre, bed of airy soundscapes introduces JOZEM‘s new EP, ‘Summerhaze’, through track, ‘Foolish Heart’, where the tranquility of Rwanda-born, Toronto-based artist’s vocals offer a place of escapism, introspection and even retrospection during a season that’s associated with having pure unadulterated fun.

Although the EP is described as a body of work that displays ‘a moody side of summer’, which peeks into Jozem’s many life experiences and those who are close to him, personally the five-track project could also be described as a transitional EP from Summer to Autumn – a season that prepare us for hibernation and a period of some serious self-discovery and perhaps reflecting on loss of friendships, relationships strains and heartache of losing a love interest, releasing all those pent up issues and coming out the other end renewed and healed. As these themes of self-discovery and introspection runs potent throughout the EP, ‘Summerhaze’ is also a gentle reminder of recognising the real cheerleaders in your life when times get a little rough.

The perfect example of this is through title track, ‘Summerhaze’, which reflects on an experience with one of Jozem’s close friends, who was going through a rough patch and, like most of us, that person would put on a brave face to mask the pain – even though Jozem could see right through the mask and feel his friend’s pain. He may have felt helpless at the time, but Jozem has learnt a valuable lesson from the experience that ring loud in the track – and that lesson is that it’s not a sign of weakness to reach out and confide in someone who you truly trust.

Soft layers of electronic soundscapes begins to make its presence known in ‘Test’ and ‘Waiting, Soft’ concluding the EP perfectly which, personally, radiates some sense of hope and optimism through the muddy maze, that’s unfortunately called life.

‘Summerhaze’ EP is now out today (29th August), via various music platforms. Why not enter into Jozem’s world below…

Must Listens: Summerhaze

Connect with Jozem via:
FB: https://www.facebook.com/followjozem
IG: https://www.instagram.com/jozem__/
YouTube: https://www.youtube.com/@jozem
Website:https://www.iamjozem.com/

Arliston’s new single, ‘Vertical’ mountaineers through melancholy

ARLISTON‘s latest offering ‘Vertical’ is a brooding, introspective journey that delves deep into the heart of existential dread. The duo’s signature blend of intimate vocals and expansive soundscapes is in full force here, creating a sonic atmosphere that’s both suffocating and cathartic.

Opening with a delicate piano melody and Jack Ratcliffe’s soulful baritone, the track gradually builds to a crescendo of emotional intensity. It’s a familiar Arliston territory, but ‘Vertical’ feels like a particularly raw and vulnerable exploration of the band’s signature melancholia. The lyrics, both poignant and relatable, capture the paralyzing feeling of being overwhelmed by life’s challenges.

Musically, the track is a masterclass in dynamics. The tension between quiet introspection and soaring choruses is expertly handled, creating a sense of emotional catharsis. The addition of Sam Catchpole’s driving drums and Brett Shaw’s percussive flourishes adds a layer of complexity to the arrangement, without ever overshadowing the song’s core emotional impact.

While Arliston’s influences are clear – The National, Bon Iver, and Damien Rice cast long shadows over their sound – the duo have managed to carve out their own distinctive niche. ‘Vertical’ is a testament to their talent for crafting songs that resonate deeply with listeners, offering a much-needed soundtrack to those moments of doubt and despair.

Whether you’re a longtime fan or new to Arliston, ‘Vertical’ is a must-listen. It’s a song that lingers in the mind long after the final notes fade, leaving you with a sense of both melancholy and hope.

‘Vertical’ was released last Friday (26th July) via various music platforms. Why not have a listen below…

Follow Arliston via:
FB: https://www.facebook.com/officialarliston
IG: https://www.instagram.com/arliston/
X: https://x.com/arlistonband