Song of the Day: 21 – Lei Hope

Born in Zimbabwe and raised in Leeds, LEI HOPE is the project of Manchester based musician Hope Chiguvo. He recently announced his new EP ‘Matrices’ which will be released 10th May via Heist or Hit and shares the project’s second single and opener ’21’.

On his ambitious new 7 track EP ‘Matrices’, Hope’s textured, wide-ranging songs skip between sacred melodies and secular sentiment, all wrapped in a sound that jitters somewhere between the deluxe-digital-age psychedelics of indie and R&B.

Latest single and EP opener ’21’ at once feels familiar, nostalgic, yet distinctly singular. Written as a reminder to himself of his own growth as a person and artist, the song’s woozy, soulful ascending guitar chords and jazzy instrumental inflections provide a warming base for Lei’s musings on personal progression.

Speaking more on the release of new single ’21’, Lei Hope said: “The title of the EP ‘Matrices’ came around as the plural of ‘matrix’. It’s a bit of a nerdy explanation but in Maths, a matrix is used to communicate transformation, movement, or change (similar to coordinates). Throughout the making of this project, I underwent multiple layers of change. I like starting projects with an update on my state of mind – and on ’21’ I was looking back at times when my mental health was a lot worse and appreciating the growth I’ve made in terms of overcoming a lot of struggles. This was the first song Will Levison and I co-produced in December 2022, and it features vocals from Manchester R&B singer Mxzvita.”

Having already impressed with his self-released debut EP ‘Autonomous Affection’ and on the live stage – with buzzy showcases at Beyond The Music and Manchester Psych Fest, Lei Hope’s music arrives at a fascinating intersection between indie-pop, psychedelia, bedroom-pop, R&B and soul.

The hallmarks of his sound – layered vocal harmonies, vibrant synthesisers and smouldering hooks are all there, dappled in sunshine and in full plain sight. A guitarist first and foremost by his own admission, Lei’s musical genesis was in the church. “Whilst I was living with my family in Leeds, we would go to church maybe two or three times a week. It was non-denominational, but I guess you could say it was most similar to a Pentecostal service, with live musicians every service.” he states.

Following a period of father-son osmosis whereby he soaked up every chord shape his dad could show him, the church musicians rallied to fill in the gaps. “Once I got better at guitar, I joined the church band and was playing live every week. Now, my guitar is like my musical calculator and compass.”

And there is a navigational intelligence to the way in which he uses the various shorelines of genre as jumping off points for his own compositions. From making beats at home around the age of 15, Lei discovered and immersed himself in the material of Omar Apollo, Clairo, Yeek, Blood Orange and Spencer.

However, it wasn’t until the enforced cocoon of the pandemic that Lei began the process of recording. Isolation proved to be a creative chrysalis from which he emerged fully formed: “I didn’t know anyone in the industry or any musicians in Manchester but I knew that Steve Lacy had recorded his first EP on his phone. I took inspiration from that. Quickly, I wrote, produced, recorded and engineered my first project and people reacted.”

Lei Hope is a man making whatever music that comes into his head with the power to dismantle and reassemble genres. A pallet cleansing, no filter aesthetic; not just indie for the sake of it, but affectingly human. When you factor in that he’s capable of wringing soulfulness out of any bar of music seemingly at will, it sets him apart as one of the most exciting prospects on the Manchester indie scene.

Lei Hope’s new EP ‘Matrices’ will be released on 10th May via Heist or Hit. Why not watch the visualiser for ’21’ below…

OUT TODAY: Listen to Dior Ashe’s single, ‘Easy’

Rising Alt-R&B star DIOR ASHE delivers her new single ‘Easy’, a smooth and soulful cut about the complexities of love.

Driven by a desire to showcase a positive outlook on queer relationships, Ashe penned ‘Easy’ as a personal exploration of vulnerability, understanding, and the transformative power of compassion. Stepping into the shoes of both partners, the song acknowledges the inherent challenges of intimacy but celebrates the ease found in open communication, shared goals, and unwavering support.

“I wrote ‘Easy’ with the intention of manifesting my idea of a healthy queer relationship,” says Dior Ashe. “It’s about being seen, heard, and loved for who you are, navigating struggles together, and ultimately finding strength and solace in mutual understanding.”

More than just a love song, ‘Easy’ serves as a companion for listeners on their own journeys of navigating healthy connections. Dior’s smooth vocals and introspective lyrics weave a tapestry of relatable experiences, reminding us that vulnerability, empathy, and open communication are the cornerstones of lasting love, regardless of sexual orientation.

“‘Easy’ is not just a song, it’s a conversation starter,” Ashe adds. “It’s a reminder that healthy, supportive relationships are possible, and that we deserve to love and be loved without fear or judgment.”

Have a listen to ‘Easy’ below…

Midnight Mystery Club Returns in 2024 with album, ‘Aesthetics Vol.1’

Indie dance duo MIDNIGHT MYSTERY CLUB enters into 2024 with all guns blazing with their latest album, ‘Aesthetics Vol.1’, released earlier this month, 11th January.

Known for their blurringly chilled and spanky pieces that’s fit for lounging in the balearic sun, the guys have taken a slightly different direction, adopting a deeper and darker baseline that offers another form of tranquility. Having said that, towards the ending of the collection, ‘Stay Young Forever’ and ‘Only Dancing’ somewhat retains the trademark of vibrantly mesmerising soundscapes which radiates a warm sunny glow.

It’s great to see that Midnight Mystery Club are back in good form, using their stellar skills as producers. Their latest album just displays that they were very worthy of being winners of 2018 Independent Music Awards in the Electronic/Dance Producers of the Year.

Listen to ‘Aesthetics Vol.1’ below…

Must Listens: Eyes Closed Tight, Only Dancing

Milan Ring Releases New Single, ‘Quicksand’

Fresh from supporting Griff on her only Australian headline show at Sydney’s Metro Theatre earlier this month, celebrated and widely beloved Eora/Sydney R&B artist, musician, producer, engineer and music video director MILAN RING shares her latest single ‘Quicksand’, out now via Astral People Recordings.

Hallmarking her emergence into a playful and inquisitive new era, ‘Quicksand’ also acts as a tether to Milan’s previous incarnation, finding her addressing and reflecting on her younger self. With stacks of soulful, autotuned harmonies, shimmering, celestial-toned synth arps, a dusty beat and accents of Milan’s ever-nimble guitar work, she touches on past struggles of breaking through glass ceilings and imposter syndrome to presently wanting to be held in love by someone, “but also the polarity that ultimately you need to hold yourself,” she explains. ‘Quicksand’ is the sound of gracefully sinking into the compassion and the care that comes from accepting your own capacity to contain multitudes, sometimes harmonious, other times in contradiction, but always yourself.

Of the track, Milan elaborates: “Quicksand is about accepting yourself as you are and allowing love in. Having the safety and grounding of a love that allows you to take risks, go forward and break through the limitations and barriers that the world places on us, and that we internalise. The metaphor is that even when you appear to be climbing, the ladder is simultaneously sinking without that solid foundation”.

‘Quicksand’ follows up the previously released ‘Mangos’, a balmy and love-struck single that marked Milan’s return to new solo music since the release of her acclaimed 2021 debut LP I’m Feeling Hopeful. Co-produced by 18YOMAN, ‘Mangos’ landed as the fullest and most distilled expression of Milan Ring’s beguiling talents to date, seeing the multi-faceted artist weaving the Guzheng into her songwriting for the first time in a purposeful nod to her Chinese heritage. A homage to a summer love affair, crackling with humidity and longing, oozing a weightless, hazy giddiness, ‘Mangos’ earned praise and support from the likes of BBC Radio 1’s Jack Saunders, COLORS, NME, ACCLAIM, Wonderland Magazine, Northern Transmissions and many more, alongside rotation adds in Australia from Double J, FBi Radio, 2SER and airplay across triple j and community radio stations around the country.

Check out the video for ‘Quicksand’ below…

New Lease Music’s Top Ten Albums Of 2023

OK, as promised, here are the top ten albums of 2023.

If you fancy some UK R&B, or maybe some afrobeats fused with smooth R&B, futuristic/dreamy pop or some good old hard-hitting bars, well you’re definitely in the right place! Just get to it and hit play on each beauties below! If you’re feeling any of the collections, please like, or better still, leave a comment below.

Be sure to check NEW LEASE MUSIC’s Top Ten Singles of 2023 tomorrow. I hope you enjoy the albums below…

10. A Late Bloom – Eleanor

9. Jovian 2000 AD – Jovian

8. Diary Is A Waste Of Paper – Nia Chennai

7. Venom Dripp – Showtime Ramon

6. Die Wurzel – Neak

5. 7:05 – 705

4. Rivalry – Samuel Vincent

3. Man Myth Legend – Mike Body

2. Lucid Dreampop – Thyra Hilden

1. Once Upon A Melody – T. Fernandez