Serving as a preview into his forthcoming debut album, ‘Music I Had To Write’, BEN EVEYTHING‘s captivating ethereal ballad, ‘Cold Window’, soulfully blends elements of dark UK electronica accompanied with a powerful and raw journey of self-reflection.
Ben reflects ‘I remember clearly one day, looking in the mirror and having an epiphany moment you only hear about in eastern philosophy or evangelical vice documentaries – the person looking back at me wasn’t the same person I was telling myself in my head.’
In its musical elements, the track takes inspiration from Fourtet and Joji and combines meditative piano with a vocal that is infused with the producer’s obsession with Dave Grohl’s performance on Everlong. This creates a subtle backdrop for the listener to go deeper into the lyrical theme of self-reflection.
‘Cold Window’ is the second single of the forthcoming album, ‘Music I Had To Write’, slated for release in Winter 2021. Have a listen below…
Contrasted with DEVN‘s care-free, upbeat introduction on his anti-love summer anthem ‘Freak Freak’, the multi-talented artist slows the pace and flexes his vocal chops on the sentimental latest single ‘Foreva’. The song finds the Charlotte, North Carolina newcomer embracing love with ethereal vocals that float over smooth production.
“‘Foreva’ is about being afraid to lose the feeling of love, and having the desire to hold on to a special romantic relationship that lasts forever.” – DEVN
Check out the official video for the single below…
With ranging guitar plucks somewhat capturing a standoff moment in a Western movie, Canada’s Indie rock duo PARAGON CAUSE‘s brand new single, ‘Play Me’ has a strong statement about the way people treat one another and behave on social media.
The duo says of the release: “It’s almost a tease to all the haters in your life who take advantage of you, but you know what they’re doing. There’s a sarcasm in saying, I will let you play me over and over again.”
‘Play Me’ is the second single from their upcoming album, ‘Autopilot’, coming out on 13th August. Why not have a listen to the cinematic single, produced by Sune Rose Wagner of The Raveonettes…
Ever since OLOFF graced this blog with his album, ‘Life’s Got You Riveted’, which was placed at #6 on New Lease Music’s Top Ten Albums of 2016 list, I’ve been so mesmerised how this Bristolian artist experiments with different genres without fear. So I’m absolutely pleased to have a chat with him about his album ‘Don’t Come In Here’. So sit back and have a read as this convo this an absolute belter. Enjoy!
NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2021 treating you so far?
O: You’re welcome. 2021 has been kind of crazy, I’ve released 2 albums and gone through a breakup. I have a 3rd album and a book on the way. I’m keeping extremely busy, time is passing by quite slowly.
NLM You released your album, ‘Don’t Come In Here’ back in March. What is the public perception on the project so far?
O: I haven’t done enough to promote it so I don’t know. I’ve temporarily given up on promoting music because I don’t have the time or the money for it, so right now I’m focusing on building up a catalogue and not paying any attention to the numbers at all. Then when I have some leverage I will have loads of songs already released.
NLM: How would you describe the album’s sound to potential fans?
O: Electronic experimental hip-hop. Drugs.
NLM: What inspired you to produce the album?
O: I had a bad acid trip a couple of years ago and this album was kind of the culmination of my efforts to get over the things I saw on that trip. It was also about being stuck in a room during lockdown, the ups and downs of my relationship, and at times also the fun/humour of living such a life and experimenting with weird substances. In the end the theme is about trust I suppose, not really being able to ever fully trust people but having to do so for your own sanity.
NLM: What is/are your favourite single(s) from the album and why?
O: Parsons and Be Yourself. I think Parsons is the best sounding song I’ve made and I think Be Yourself is the most meaningful.
NLM: What message would you like the listeners to take away from your album?
O: Do whatever you can to be happy, stay true to yourself, be wary, get outside as much as you can.
NLM: If you had to feature one mainstream artist on the album, who would it be and why?
O: Good question. I think Kevin Gates would be interesting, because it would be such a different sound for him, but some of the themes are kind of similar (love, trust issues, substance abuse etc.) Maybe a verse on I Don’t Wanna Know.
NLM: Do you have other project(s) for 2021?
O: Yeah, shortly after this I released Oak Tree which I think is a masterpiece. I also have a project called Sameways coming out in the next few months. And a self-help book, which I think is going to be really good and will help a lot of people with their depression. I’m also regularly releasing singles and videos on my YouTube channel.O
NLM: How can potential fans find you?
O: @oloffmusic on Instagram, Oloff on spotify or YouTube.com/OloffMusic
NLM: Finally, any special shout outs to those involved in the production of ‘Don’t Come Back Here’?
O: Just me. So, hang in there Oloff! You big bald c**t.
New York-based singer-songwriter MAE KRELL‘s single, ‘Colorblind’ was written and recorded in quarantine, created remotely from start to finish with the help of producer and multi-instrumentalist Jakob Leventhal. Over swirling, sliding guitars and sparse drums, Mae grieves the end of a relationship in painful and relatable detail: “I squeezed your hand, you flinched / The skies turned black, I blinked / I never practiced my goodbyes / I didn’t think that I had to.” Mae’s sharp lyrics and aching vocals brim with palpable emotion as they call back memories of a love that once was.
“I wrote ‘colorblind’ in the midst of what I thought was going to be the end of a relationship with the first girl I ever truly fell in love with,” Mae says of the inspiration behind the single. “I’ll be the first to admit that I feel everything too much, but during the couple of days that this was going on, I really felt like the world was ending. I was wildly sad while also being very restless in a way that I had never experienced before.”
Following a two-year hiatus, Mae Krell returned in early 2020 ready to embark on a new musical era. With a newfound maturity and understanding, she has perfected her folk-pop sound and introspective lyrical chops. At just 22 years old, Mae exudes a musicality wise beyond her years. Influenced by revered singer-songwriters like Bob Dylan, Phoebe Bridgers and Gregory Alan Isakov, her songs are intimate reflections that confront trauma, self-love, and personal truths. Her singles have amassed millions of streams to date, with last year’s singles “wash,” “home,” and “garden,” all individually breaking over 500K streams.
In addition to her artist career, Mae has worn many different hats in the music industry. She was photographed live music from the likes of Rolling Stone and Sony RCA, founded the online music publication Tongue Tied Magazine and, most recently, started Bitch Mgmt, a multimedia marketing and PR company. With a multitude of career milestones already under their belt, Mae is taking it one day at a time and focusing on writing and recording songs that reach new emotional heights.
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